Esoteric Science and Philosophy

Esoteric Science and Philosophy

MUSIC AT 430.5 or 432 HZ    -  AND THE WORD OF GOD

 THE WORD OF GOD 

In the first chapter of St. John's Gospel, we can read the following words:  "In the beginning was the Word, and the word was with God, and the word was God.”We all know by now that everything is vibrating in the cosmos or in nature and therefore is emitting a sound on a frequency that is the true name of that  ob

 ject from an atom up to the Universe as a whole. This infinite amound of vibrations in nature today must have started from one vibration, that we can call, ” The Word Of God”;  The “Big Bang” of the first sound or Vibration in nature. 

 Vibration cannot come from nothing there must have been at least SOMETHING, the ONE SOUND, vibrating on the Frequency of ONE vibration per second or 1 Hz [Hertz]. We can only start with the number 1.   

 Numerology mentions no. 1 as:  The Creative Force. This is divisible and is within all matter.

 So we have the first octave that starts with 1 and doubles up to the next octave that would be 2, followed by 4, 8, 16, 32 64, 128, 256… and so on to infinity. This is also the frequency of the first note for each of these octaves. Each one of these octaves can be divided up into 12 notes; where the frequency of each note basically just keeps on doubling up as it goes up through the octaves. We must take these above mentioned frequencies then as the first notes followed by 11 notes each to make 12 notes in each octave.  We can call them the fundamental Golden C’s or Golden Octaves dictated to us by Nature.

 

Tuning Standards

 It is impossible to tune the twelve-note chromatic scale so that all intervals are pure. Many different compromise methods are used to deal with this, each with its own characteristics, and advantages and disadvantages as we will see here.

 A440 or A4, which has a frequency of 440 Hz, is the musical note A above middle C and serves as a general tuning standard for musical pitch. Prior to the standardization on 440 Hz in 1953, many countries and organizations followed the Austrian government's 1885 recommendation of 435 Hz, which had also been the French standard since the 1860s. It is designated A4 in scientific pitch notation because it occurs in the octave that starts with the fourth C key on a standard 88-key piano keyboard. On MIDI, it is note 69.

Below is a table that depicts the frequencies of the notes in the first 10 basic frequencies that came forth from the 1. [See C, Table 1, row 1 below] We can call them the basic series of Golden Octaves because they can all be mathematically be traced back to the number 1 where they sprung from. I think this is a new way of looking at the origins of music and its relation to the creative sound the “Word of God”.

I shall try to stick to facts and keep the speculation to others but we can ask ourselves questions like the following:

 1. Are we humans aware what we are really looking at here?

 2. Is this the key to the beginnings of all cellular life and sounds in nature?   

 3. Are these the perfect scales for the perfection in nature? 

 4.What would be the effect on our environment if our electricity was generated and distributed through the grid at 64 Hz, which is the beginning frequency of the 7th octave in table 1?

5.Can we have a new way of generating free energy through tapping in into the creative frequencies of nature?

6Are the powers of frequencies been kept as a secret from us?

7.Why do we really use A which is the 10th note in each octave as a standard reference point and not C which is the first not?

 8.Was this done to create a disturbance of the Golden C values?

 9.Can we use this knowledge to heal our bodies or destroy cancer in the body through some sort of holistic healing process with sound at the right frequency?

 10. Do I smell conspiracy theories here?

 11. And so on……?

 

Table 1

Notes

Octaves in Hz

   1         2          3         4           5           6         7           8       9       10

Do

Sa

C

1

2

4

8

16

32

64

128

256

512

 

 

C/D

1.06

2.19

4.24

8.48

16.9

33.9

67.8

165

271

542

Re

Re

D

1.12

2.25

4.5

8.98

17.9

35.9

71.8

144

287

575

 

 

D/E

1.19

2.38

4.75

9.51

19

38

76.1

152

304

608

Me

Ga

E

1.26

2.52

5

10

20.1

40.3

80.6

161

323

645

Fa

Ma

F

1.33

2.67

5.34

10.6

21.3

42.4

85.4

171

342

683

 

 

F/G

1.41

2.83

5.66

11.9

22.6

45.3

90.5

181

362

724

So

Pa

G

1.49

1.49

6

12.6

23.9

47.9

96

193

384

767

 

 

G/A

1.59

3.18

6.36

12.7

25.4

50.7

102

203

406

813

La

Dha

A

1.68

3.37

6.74

13.5

26.9

53.8

108

215

430

861

Ti

Ni

B

1.89

3.78

7.56

15.1

30.2

60.4

121

242

483

966

 

Equal Temperament scale [Just intonation]

 To get the note frequencies of the 12 notes or divisions on the equal temperament scale, that has become standard in the west and which is not a true harmonic scale, from octave 1 to 2 we use the twelfth root of 2 which is 1 .059463. This means that you can take any note frequency value and multiply the number by 1.059463 to get the higher frequency of the next note on the scale. If you divide you will get the lover note frequency value. This root number works for all the octaves on the Equal Temperament scale. This is not harmonically correct but mathematically correct and near enough; or is it….more about this later This is how I was able to put tables one and two together. 

 

 

 

1

2

3

4

5

6

7

8

9

10

Do

C

3

6

12

256

256.89

261.63

364

268

255.64

 

C/D

3.2

6.4

12.7

271.22

272.14

277.18

279.7

283

270.88

Re

D

3.4

6.7

13.5

287.35

288.33

293.66

296.3

300

287

 

D/E

3.6

7.1

14.3

304.43

305.47

311.13

313.9

318

304.06

Mi

E

3.8

7.6

15.1

322.54

323.64

329.63

332.6

337

322.14

 

F

4

8

16

341.72

342.88

349.23

252.4

357

341.3

So

F/G

4.2

8.5

17

362.04

363.27

368

373.6

378

361.59

 

G

4.5

9

18

383.57

384.87

392

395.5

401

383.09

La

G/A

4.7

9.5

19

406.37

407.75

415.3

419

425

405.87

 

A

5

10

20.2

450.53

432

440

444

450

430

Ti

A/B

5.45.

10.7

21.4

 

 

 

 

 

 

 

B

5.7

11.3

22

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 Different octaves

 We can start a new set of octave in music and make the first note of the octave, i.e. note C in the equal temperament scale, any frequency we like. We can begin C as 3 with the next octave 6 and then 12 and so on. [See table 2 columns 2-4.]

Thus the amount of octaves sets and octave are infinite. Any number can be used for the value of C for the first note in the first octave series. From one C to the next C in the next octave, is again, an equal division into 12 to get the value of the notes.

 

 The 430, 432, 440 and 444 Hz vs controversy

 Now that we know something about where the frequencies come from and how it is constructed we can give attention to the above problem that I have come across in my musical activities as a player of the violin.

In table 2, column 5; here we can see the true value of A is in reality 430.5 Hz if we start with C as 256 Hz which is the true value of C [a Golden C] in octave no 9 in table 1.

 A taken as 432 [in table 2, column 6] and working backwards, does not give you C as 256 as some people on the internet claim, but a value of 456.87 Hz. It is .87 off but near enough.

 A as 440, the standard value taken for A that we tune all our music instruments too, produce C as 261.63 Hz.  This is 5.63 Hz off from 256 Hz. This is a lot if taken for a world standard because we do not know the consequences. [Table 2, column 7]

 444 Hz is an even more disgusting frequency that is now being promoted on the internet for A. I am not even going into this further because there is no mathematical, scientific or any other bases for it. It takes us further from the Basic Octave value for C that comes from nature Itself. We cannot dictate, what we want nature to be. The C value in this case as proven in [column 8] is 364 Hz. This is 8 Hz from 256 Hz, one of the Golden C’s.

 In column  9, I took A as 450 Hz, a frequency I found a lot of metal and crystal meditation bowls that you can listen to on YouTube, tuned too. They just say or specify C, D, E, F, G, A, and B for one of the Chakra meditations but do not specify the frequencies. I measured a lot at 450 Hz and the rest were just jumping all over the show. Because these bowls are factory produced I presume they all work on a 440 Hz standard for A.  The monks who produced the bowls originally, not the imitators now mass producing them and selling them, new something about the natural sounds that they found in nature or what they started to hear in their heads as their chakras stated to develop, as what I can hear in my case, and I presume they were very near to the real vibrations but they could not measure the frequencies in those days. Even today nobody has measured the vibrations of the chakras, so to meditate on what they promote as chakra meditation music based on 440Hz, or even 432Hz is playing with fire. Some people and some scientist claim there is no proof for the chakra systems. Well, I have news for them, I have seen them myself once and so have about ten other people who were with me at that time while I did healing on a woman. They can all confess to this.

 So, be very careful with what music you meditate too. Vibrations are powerful in their effect on the human body.  I have found that if I say OM’s for 10 minutes it has a far greater effect on my body than listening to meditation or relaxation music for an hour. If you produce the sound yourself, the vibration is part of your body and the effects are more lasting. If listening to meditation music had any effect on our bodies, then it is much smaller than it would have been if you were playing the music instrument yourself. I feel this every time I have played the violin for a while. Listening to any music for long periods of time must eventually have an effect on our bodies and our environment. OM, is all you need to develop your chakras. The best things in life are really for free, always has been, and always will be.

 In column 10, Table 2, we see that A taken as 430 gives C as 255.64, only .36 off 256. This is the frequency I have chosen to use as my standard tuning on my violins.  432 is only .87 above 256 for the C value and thus the next best standard to tune too. We can find 432 music on YouTube to listen too.

 430.5 would be perfect put I cannot find a chromatic tuner that can do that because they all use A as reference point which is so wrong.  Thus, for a frequency standard for C we have a choice of either 430Hz or 432Hz. This is the case for most of us, but I am still going to tune my violins to 430.5Hz when I get the right equipment to be able to tune each note without a reference point. In my case it is actually note such a big deal because on the violin your fingers are hardly ever on the right spot to produce 100% the right note. That is most probably why they have started to use vibrato in the first place. [Vibrato is where you role your finger fast up and down on one spot on the string thus making sure you are hitting the note…. This is only part of it.]  

 Now that I have scaled down the tension on my strings the sound is angelic to my ears after I have changed over to a suitable set of strings. Most strings are not designed for this tension although the original violins [Stradivarius] were all designed for the lower tension gut strings.  

 On instruments like pianos, and harps where you tune every string on its own the situation is different and you must use the choice above mentioned for a standard.

 “So, does it matter, spiritually speaking, to move the Concert A a mere 8 hz up to 440?  Consider that the earth has a hz vibration of 8.   Consider also that the cochlea receptor of the inner ear calibrates sounds to the brain stem at intervals of roughly 4 hz intervals.   In other words, the human ear cannot distinguish between pitch change from 432 up to 435.  But it can definitely distinguish a movement of 8 hz. even though it may be quite subtle.” [see following article below]  If this is right then using 430 or 432 is within the tolerance of 3Hz

 

 Solfeggio Frequencies and Pythagorean tone

 I want to keep this simple and won’t go far into this and just mention that we have no real proof for the following claim where they say:

 We beleive in the old traditions of sound healing.  Unique healing sounds include the Pythagorean method of numeral reduction to unravel the mysterious of the universe. six mathematical patterns encoded: 396, 417, 528, 639, 741, 852 and 963.

 Were ever possible we combine this theory with the solfeggio frequencies corresponding to the chakras and carefully placed each chakra with its corresponding pythagorean tone.

 Root Chakra - 396hz

Sacral Chakra - 417hz

 Solar Chakra - 528hz

 Heart Chakra - 639hz

 Throat Chakra - 741hz

 3rd Eye Chakra - 852hz

 Crown Chakra - 963hz

 

Pure harmonic Series

 In equal temperament, the only pure interval is the octave. In spite of this, equal temperament works fairly well, because most of the intervals it gives actually fall quite close to the pure intervals.

 To get to the real values of the frequencies we should use our ears or the following ratios. This as you will see brings the true value of A to 426.6Hz. This is 3.4 under 430Hz and 5.4 under432.

 This is why I think we will be nearer to the real values if we take 430Hz as our standard.

 If you compare these values as in Table 3 below, we can see that some of these notes are dangerously out from the scientific Equal temperament scale and that none of our tuning systems are perfect.

 

Notes

ratios

Pure Harmonic

Frequency

Pythagorean

Tone

Equal

Temperament

C

1/1

256

396 or 198

256

C/D

12/11

279

 

271.2

D

9/8

288

417 or 208.5

287.4

D/E

6/5

307

 

304

E

5/4

320

528 or 264

322.4

F

4/3

341

639 or 319.5

341.7

F/G

7/5

358

 

362

G

3/2

384

741 or 370.5

383.6

G/A

8/5

409.6

 

406.4

A

5/3

426.6

857 or 428.5

430.5

AB

7/4

448

 

456.1

B

11/6

469

963 or 481.5

483.3

Table 3

 Conclusion

 Taking all the above in consideration we can say that music has a great influence on our lives and on our physical bodies as well as on our spiritual development. This is my reason to stick as near as possible to the original frequencies that can all be traced back to no 1, the first note on the first octave, the Golden C’s. This is real and all the other speculations and playing with other frequencies, is in my opinion what brings disharmony into the world. Can The Golden C’s be the “OM” of creation or “Lost Word” that the Masons talk about?

 We can experiment and play with Nature and her lows, but in the end, if we want to make spiritual progress, we only have to imitate Nature because it is the only reality allowed on the higher realms. We can only enter the “Garden” on Nature’s terms and laws. We must get away from the world and its disharmonies and tune into nature and the frequencies of creation and maintenance in harmony.

If we really know the power of these frequencies and the real colours of the chakras we will see why those who has achieved to be worthy of this knowledge are sworn to secrecy because  according to the harmonic principle by which any produced sound automatically resonates all the other multiples of that frequency, when we play C at 256 Hz, (when A is tuned to 432 hz) the C of all other octaves also begins to vibrate in “sympathy” and so, naturally, the frequency of 8Hz [the planetary frequency in C] is also sounded. So we really affect the planet and nature through our music.This is the end of my personal input on this matter but I want to share the following article with you that I found on the internet. I cannot disproof anything and find it very interesting. This is especially for my friends who do not believe anything unless they can relate it to The Bible.

Keep in mind that the old civilisations had no idea of a second or a frequency [frequency per second or Hertz] or even vibration. I think they worked on feeling for the music and the sounds in nature itself as they found working for them, so numbers never really came into the story of music till we starts the scientific tuning of today. In the old days it was just done by ear and feeling for the notes produced.

 

 EDGEBA

 I got the following information on the internet at:

 https://atrueott.wordpress.com/2014/10/16/why-christians-and-worship-teams-should-tune-all-instruments-to-432-hz-and-abandon-440-hz/

 

 

Why Christians and “Worship” Teams Should Tune all Instruments to 432 hz and Abandon 440 hz

 

Filed under: Uncategorized

 October 16, 2014

 Why Christians and “Worship” Teams Should Tune to 432 hz and Abandon 440 hz

 by A. True Ott, PhD

 First of all, allow me to explain the current situation by exploring historical truths.  From the earliest history of instrumental music and “symphony”, we learn from archeological evidence uncovered primarily in the “fertile crescent” of ancient Ur of the Chaldees that the contemporaries of Father Abraham created specific musical instruments and tuned them to a “keynote” pitch of 432 hz.  A number of metallic “tuning triangles” have in fact been unearthed in modern-day Iraq, that were used to “tune” various stringed instruments to a keynote pitch of 432 hz – known today as “Concert A” pitch.

 Early Chaldean “Tuning” Triangle the original form of today’s “Tuning Forks” – emitting 432 hz tone.Why did the early Chaldeans tune their various stringed instruments to 432 hz??   The biblical record explains the most probable reason.   At the age of 99,  we learn that Abraham was engaged in studying the stars in the night sky when he discovered the reality of God and eventually received a series of “revelations” concerning God’s plan of salvation and of course a SAVIOR (Messiah) which would eventually come to the world from Abraham’s numerous seed.   That is the central core message of the entire Old Testament, (as well as the New Testament) – and it all began thousands of years ago, with Abraham studying the movements of the night sky.

 

Consider that modern astronomical science has verified what Abraham likely already knew – that the heavens themselves testify of the base number 432.  For instance, it takes exactly 72 years for the earth to travel a mere one degree around the 25,920 year grand procession of the equinox through the 12 “star constellations”.   There are 360 degrees in a complete circle.  72 x 360 = 25,920.    The number 432 multiplied by the number 60 equals the 25,920 year procession of the equinox, as well as all of the planetary and stellar “processions” which also just happen to perfectly align with the base number 432.   Is it just a coincidence that Abraham’s culture, the ancient Chaldees, produced instruments tuned to this base number of 432 hz vibrations?  The salient question is, which came first, Abraham’s covenant with God, the Creator of the Universe, or Abraham’s knowledge of the 432 connection to the Creator of the Uni (one) Verse (song) that lent him the process to find and access God?

 

Following the starting point of Abraham’s covenant with God the Creator, we learn from the Biblical record that Abraham’s miraculous posterity became inter-twined with that of Egypt.  For over four hundred years, Abraham’s seed served as servants to the Egyptians – until Moses came upon the scene.  Consider that Moses’ sister Miriam was, according to the Bible, a highly skilled dancer and singer very much in demand in the royal courts of Egypt.  See Exodus 15:20-21.   What musical songs and frequency pitch did she dance and sing to?  Once again, archeological evidence tells us that the vast majority of ancient Egyptian instruments were also tuned to the base frequency of 432 hz.

 

From the hand of Moses came the safety-net called the LAW, and during their subsequent sojourn in the wilderness to their establishment as a nation in Palestine, music clearly became an integral part of their sublime worship and oblations to their God.   In clear distinction from that of the bedouin nations surrounding them, the music of the ancient Hebrews was not sensuous in nature, but was in fact a true sacramental oblation to their God.  Clearly, to the ancient Hebrew, music was not an art form, but very much a part of their religion.

Biblical historians and archeologists have surmised that David, the shepherd-boy, was skilled in the use of three primary instruments – ALL TUNED TO 432 hz.   First was a simple reed flute instrument consisting of a seven-note, chromatic scale with “A” being tuned as the “keynote” to 432 hz.   Second was an early form of the Scottish “bagpipes” called a “symphonia”, and third, a stringed instrument called a Psanterin (that music from it was named “psaltery” or today’s biblical Psalms).

 

 

 

 

 

 

Early Hebrew “pipe” instrument called a “symphonia” – circa 10th Century B.C.E.

 

 David, the Shepherd, playing his reed flute to calm the sheep.

 

 Ishmael’s Pipe – A common musical instrument of Chaldeans resonating at 432 hz

 

 Hebrew “Priest” playing a “Psanterin”  inscription dated 10th century BCE

 The Bible then details that during the time of the Prophet Jeremiah, the nation of Israel was once again conquered and “taken captive into Babylon”.   Psalm 137 reads: “By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion. 2 We hanged our harps (psanterins) upon the willows in the midst thereof. (They quit playing their sacred songs) 3 For there they that carried us away captive required of us a song; and they that wasted us required of us mirth, saying, Sing us one of the songs of Zion. 4 How shall we sing the LORD’S song in a strange land?”

 Indeed, what exactly is the “LORD’S SONG”??   Could the “Lord’s Song” be specifically singing and playing instruments in the tuning of 432 hz?   The evidence that follows says  the answer to that question is an emphatic YES!

 The “12 Tribes” of Israel eventually became scattered over the globe, but the record shows that Six (Roman Number VI) Kings (i.e the posterity of the Six Sons of Leah) went into the Northern (Norse) Lands and eventually became know as the VI Kings – or the Vikings.   Once again the archeological record shows that 432 hz music was also an integral part of the Six Kings of the North and their culture.

 

  The first part of this paper provides a brief overview of the origins of western Religious Music – which clearly from the time of David until the mid 20th Century, was pretty much uniformly played with “Concert A” being tuned to the “keynote” of 432 hz.   Just as the ancient Hebrews were extremely strict in the preservation of their sacred written texts, (because they revered them as “God-Breathed”) so too did they preserve their sacred music “keynote” tone of 432 hz even through the “Dark Ages” as well as the “Renaissance” years up until the year 1953.    Today, however, the “standard” Concert A pitch is no longer “432” but has been raised 8 hz by the United Nations’ “International Standards Organization”  (ISO) to 440 hz.   The remainder of this expose will consider the questions: Why was this done, by whom, and more importantly, does a mere 8 hz. change even matter at all?

 As we explore these questions, consider the words of the Prophet Isaiah: “The Spirit of the Lord GOD is upon me; because the LORD hath anointed me to preach good tidings unto the meek; he hath sent me to bind up the brokenhearted, to proclaim liberty to the captives, and the opening of the prison to them that are bound.   (Isaiah 61:1)   I submit this is exactly what Christian “pastors” and “worship teams” are supposed to do for Christ – use Christ’s WORDS (which are vocalized frequencies of sound) as prompted by the Holy Spirit, as well as pure MUSIC (Tone Frequencies of Sound) to 1. bring “good tidings” (the Gospel message) unto the humble, meek hearts who will accept it, 2. to HEAL THE BROKEN AND HOPELESS  who need the Hope of Christ in their lives, 3. to proclaim LIBERTY to those held captive by the DARK IGNORANCE of the Adversary of Christ, and 4. OPEN UP THE PRISON DOORS TO THEM THAT ARE BOUND.   (To me, that means the good Mormon people and their false priesthood of Baal that “Binds (make people’s souls bound or imprisoned) on Earth as well as in Heaven”).

 Is it just a coincidence that the entire complete ARAMAIC/HEBREW text of Isaiah 61:1 has a precise, numeric (gematria) value of 5,184?   You see, each Hebrew letter has a specific number value assigned to it.   The individual letters with their specific number value then combine to make words, and the words then make up sentences, and sentences make up biblical verses (remember, “verse” actually means SONG – or FREQUENCY)  each having a specific numeric value attached.   Throughout the entire Old and New Testament, the number 12 is universally a sacred, special number tied to witnessing of Christ and Him Crucified.   5,184 just happens to be 432 x 12.   Coincidence?  Also consider that 432 just happens to be a “Trinity” number – meaning that it is evenly divisible by the TRINITY NUMBER of Three.   432 divided by 3 equals 144.   Does 144 times 1,000 (144,000) mean anything to a devout Christian?  The numerical code clearly shows that the NUMBER 144 is what qualifies a Christian to be invited to the “wedding feast” of spiritual salvation – not a specific, limiting number of individuals.    Hopefully there will be many, many thousands of “saints” who have the number 144 in their forehead (the location of the pituitary gland, the human center of spiritual intuition, which is scientifically proven to be activated and opened by 432 hz. “solfeggio” tones in music.)

 Is it just a coincidence that the Hebrew word ויתודו (yadah) which in English is translated as PRAISE has an exact gematria value of 432?   This is also true with the Hebrew words שלומנו (Shalom) English translation, “Peace”, and ומושיע (yasha’) English translation: “To Save”?   How about בנפש (nephesh) the “SOUL” – which also equates to 432?   Other Hebrew words with exact 432 gematria are translated into English as the indivdual 432 value words: Seek, Honor,  Clean, Sight, and Satisfy.    What about the Greek New Testament language?  What individual words in the New Testament also have a specific gematria value of 432?  There are many, but the primary one is σεβεσθαι (sebomai) which in English is the word WORSHIP.   How is it that the Greek word meaning WORSHIP has a gematria value of 432 on the nose?   Do you still think that 432 is meaningless?

 So, does it matter, spiritually speaking, to move the Concert A a mere 8 hz up to 440?  Consider that the earth has a hz vibration of 8.   Consider also that the cochlea receptor of the inner ear calibrates sounds to the brain stem at intervals of roughly 4 hz intervals.   In other words, the human ear cannot distinguish between pitch change from 432 up to 435.  But it can definitely distinguish a movement of 8 hz. even though it may be quite subtle.

 But what about water?   Since the cells of the human body are mostly water, (as is the brain          especially) what are the vibrational changes (if any) between 432 hz. and 440 hz?  There is a research scientist in England who has developed a sophisticated instrument to photograph and measure specific hz frequencies in water.  This instrument is called a cyma (sound) scope.   Look what happens to water at 432 hz. vs. 440 hz.:

 

 Clearly, 440 hz. brings dissonance, disharmony, and corruption to the human cell matrix which is water based.   Notice there are exactly 28 individual “rays” projecting from water in the 432 hz. image above.   28 equals 2 x 2 x 7.  Using gematria we find that 28 is the number of the Hebrew word  ביהוה which means Yehovah 0r LORD!!   It is also the number for החיה (chay) or LIVE in English, and דדך (dowd) Beloved, as well as והזבח (zebach) – the English word SACRIFICE!   Notice how 440 hz. ERASES THIS NUMERICAL SPIRITUAL MESSAGE FROM THE CELLS AND THE BRAIN??

 In another cymascope image, the TRIANGULAR CONSTRUCT (i.e. the Trinity Function) of 432 hz. is also clearly seen:

 

 Now, let’s play “the devil’s advocate” for a minute.  Suppose you were Satan – the arch-enemy of Christ and hated above all His message of salvation.   Suppose you as Satan knew fully well the impact of 432 hz – the very SONG OF CREATION – would have on the hearts, minds and souls of people.   How would you seek to stop the vibrational message and sanctification process inherent in the message?   Would you eliminate music altogether, or would you TWIST the music ever so slightly and in the place of PEACE, HARMONY and LOVE, put WAR, ANGER, DISEASE and PESTILENCE frequency in its place?

 Consider then the gematria of the number 440 in the following biblcal words:  מת (muwth) English word DIE,  תגזל (gazal) SPOIL,  תחבל (chabal where we get the word cabal) which in English means TO DESTROY!   440 also just happens to be the gematria value of ופילגשהו (piylegesh) CONCUBINE,  ותלבב (labad) RAVISHED or RAPED, גלותא (galuwth) CAPTIVITY, גזלת (gezelah) VIOLENCE, and מעשיך (ma`aseh) WORKS.    That’s just a sampling of the Hebrew gematria value of 440.  Look at the Greek gematria of 440 value:  νοσον (nosos) DISEASE,  καταργει (katargeo) DESTROY, αποθανεισθε (apothnesko) DEATH or TO DIE, παθηματα (pathema) SUFFERING, σπιλον (spilos) TO DEFILE, διακρινομενοι (diakrino) TO DOUBT, and finally, μνηματα (mnema) SEPULCHRE or TOMB.

 Do you really believe that changing 432 by a simple number of 8 is meaningless and “doesn’t matter”?   According to the gematria code of God’s Word, it matters a great deal indeed.

 Now for the final piece of the puzzle – WHO was responsible for changing Concert A 432 hz. to the destructive 440 hz?    Ultimately, we have to point the finger at the biblical “Synagogue of Satan” (Revelation 2:9 and 3:9)  The fact is, an agent of the godless globalist, John D. Rockefeller, a man by the name of John C. Deagan spearheaded the effort in America during the first three decades of the twentieth century.  Using Rockefeller funding and “grants” – Deagan built a mammoth musical instrument factory in Chicago and flooded North America with specialty percussion instruments tuned to 440 hz.  These instruments were often given en masse to schools and university orchestras.   Musical professionals accepted the Trojan Horse (the gematria of horse in Greek is also 440) largesse with very little questioning.  All they had to do was retune their strings and other instruments a small 8 hz. up to 440 in order to be “in tune”.  By the mid 30’s, the takeover of America’s music to the devilish 440 was completed.  However, in Europe (especially the Opera Houses and Orchestras of France) – the “440 movement” was met with fierce and very vocal opposition.  In Germany and Austria, the Nazi “Minister of Propaganda” Josef Goebbles, backed by the very popular composer Wagner, spearheaded the 440 hz. “renaissance” for the “NEW GERMANY”.   It is a fact that the Nazis focused much of their hate and enmity on the CULTURAL MUSIC CENTERS of France during their occupation – for the very reason the French musicians were EXTREMELY OUTSPOKEN OPPONENTS of the “440 movement” happening in America and Germany.    In the U.K. the CITY OF LONDON FINANCIAL DISTRICT of the House of Rothschild successfully removed 432 hz. and replaced it with 440 hz. in much the same manner as Rockefeller’s agent Deagan did in America during roughly the same time period.

 Following WWII, the Rockefeller/Rothschild money CABAL installed the UNITED NATIONS in New York City, – which in turn established the ISO (International Standards Organization) in London, who in turn declared 440 hz. to be the STANDARD TUNING OF INSTRUMENTS WORLDWIDE.   Immediately, over 40,000 petitions from internationally recognized professional musicians and musical organizations were collected and presented to the ISO.  These 40,000+ petitions consisting of millions of signatures were summarily ignored and dismissed, however.   Imagine the uproar if the ISO sent out an edict that a U.S. gallon would no longer be 4 quarts, but instead would be 4.2 quarts!   Why change a standard that the world had recognized and honored for over 3,000 years?   What was so horrific and wrong about 432 hz. that it should be altered?   Conversely, to any skeptics reading this and subscribe to the false notion that “it doesn’t matter” – then I ask you – WHY DID “THEY” CHANGE IT THEN??   Moreover, why set it as a WORLD-WIDE STANDARD?

 In closing, let me reiterate the reality.  There is just ONE God, just ONE Creator of the Uni (one) Verse (song).  There is just ONE NAME given under Heaven whereby the souls of man may be saved.   There is, then, just ONE governing base “keynote”.  God is not the author of confusion and dissonance – but don’t forget that the adversary is.   Don’t be deceived by individuals who would try and tell you that 444 hz. is the “true” frequency and 528 hz. is the “frequency of Love” which only appears when 444 hz is the tuning of Concert A.   Understand that 444 hz. is just as destructive (maybe even more so) that the 440 hz.   And never forget that the NUMBER of the BEAST, the “King of the Demons” (Matthew 10:25) called βεελζεβουβ (Beelzeboul) BEELZEBUB in the Greek Text is literally the number 528 as counted in Matthew 10:25.  Source: http://69.36.77.8/Gr/GR_Database.asp?SearchBy_Gematria=528

 

TOP REASONS FOR CHRISTIANS TO RE-EMBRACE 432 HZ INSTEAD OF THE HARMFUL 440 HZ.

 1.  432 hz. is the governing frequency of the created universe as measured by planetary alignments and orbital movements.

2.  The Ancient COVENANT HEBREWS used 432 hz. tuning on their instruments, and it became the basis of WORSHIP and OBLATIONS in the Hebrew Temple and Tabernacle, and later, the standard keynote pitch of Christian music worldwide.

 3.  Despite over 40,000 petitions from musicians to have international  concert pitch remain unaltered at A=432Hz, concert pitch was changed to A=440Hz in October of 1953 by the International Standards Organization (ISO).  If something’s clearly not broken,  and people are happy with it, why try to change it?

 4.  Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128hz” shows rather conclusive evidence that 440Hz and raising concert pitch above scientific “C” Prime=128hz (Concert A=432hz) “disassociates the connection of consciousness to the body and creates anti-social conditions in humanity”.

 5.  Many professional musicians have declared that A=432hz music seems to them to be non localized in nature, and can appear to fill a room, whereas A=440hz can perceived as directional or linear in sound propagation.

 6.  If Hitler,  Goebbles, Rockefeller and Rothschild were proponents of 440 hz., is it really peaceful and beneficial to human beings?

 7.  The original Stradivarius violins were designed to be tuned to A432 ONLY.  Many professional musicians have complained that the raising of concert pitch to 440 hz. or higher caused undue stress or warping of their expensive acoustic instruments such as their Stradivarius violins, and that 440 hz damages a singers vocal chords especially those of professional opera singers.

 8.  Dr. John Coleman in his seminal book “The Committee of 300” documented the “elitists” desire to control the collective consciousness of humanity.  Their use of A=440Hz as “pitch control in mass media” pushed hourly and daily through radio & television as the “British Invasion” of Rock & Roll was, according to Dr. Coleman, intentionally designed to create anti-social behaviors and to increase chronic disease states in the general public.

 9.  The inventor of the Cymascope, John Stuart Reid declared on his Facebook page: ““432Hertz is a harmonic of light frequency – it ‘speaks’ or ‘resonates’ directly with our cells. All cells communicate with each other via infrared light so I imagine that when they receive music in 432 Hertz they are in joy. The conscious ‘you’ may not be aware of this, but most of what goes on in our bodies is sub conscious, thankfully! You can read more about how all sounds create infra red light in the physics section of our web site CymaScope™ ”

 10.  432 is THE ONLY resonant frequency that is capable of naturally reproducing what is called the “Pythagorean Musical Spiral” in the water of the human cell. Its the same sequence of growth that all life follows. It utilizes the formula of “Phi” also know as the “Golden Mean” and is also found in the “Fibonacci sequence” throughout all of nature.

 11,  The notes that come out in the A = 432 scale end up as mostly, whole numbers, and are divisible by 3. John Stuart Reid quotes, using the Cymascope/cymatics technology: “432 Hertz pops out as a triangle, every time we image it. We thought there was something wrong with the Cymascope, but after trying for more than an hour we concluded that the number 3 was somehow universally connected to 432 Hertz.”

 12.  According to the harmonic principle by which any produced sound automatically resonates all the other multiples of that frequency, when we play C at 256 Hz, (when A is tuned to 432 hz) the C of all other octaves also begins to vibrate in “sympathy” and so, naturally, the frequency of 8Hz is also sounded. This is why (together with many other mathematical reasons) the musical pitch tuned to 432 oscillations per second is known as the “scientific tuning.”  This “scientific” tuning was unanimously approved at the Congress of Italian musicians in 1881 and recommended by the physicists Joseph Sauveur and Felix Savart as well as by the Italian scientist Bartolomeo Grassi Landi.  In contrast, the frequency chosen in London in 1953 as the worldwide reference frequency and which all music today has been tuned to, has come to be defined as ‘disharmonic’ because it has no scientific relationship to the physical laws that govern our universe, and exhibits no “Harmonic Principle” of the sacred number 8.

 In conclusion, God is omnipotent and omnipresent, and is fully capable of touching people’s hearts through Music and the Spoken Word, even if the music is presented in 440 hz. tuning.   Many hearts have been touched by 440 hz. Christian music, and many will continue to be touched IN SPITE OF 440 hz. tuning – not BECAUSE OF IT!      By no means is this writing meant to limit God in any way.   HOWEVER, physics and universal laws still govern this planet.   I can only imagine what GREATER WORK can be accomplished in His Name and for His Glory by embracing HIS PURE SONG by our Christian worship teams and in our daily walks.

 In His Most Sacred Name –

 A. True Ott,

 Ogden Utah